In 1980, six years after Snowflakes Are Dancing, Isao Tomita commanded enough importance to release a Greatest Hits package with 10 tracks on the original LP, and 14 tracks on the expanded CD reissue.

His further releases created The Bermuda Triangle (1978), and Kosmos (1978), both producing incredible renditions of classical pieces that include Star Wars, 2001: A Space Odyssey, Close Encounters Of The Third Kind, and a handful of electrified and by now uniquely Tomita versions of Bach, Wagner, Grieg, Williams, and more composers pieces. By this time, Isao Tomita had achieved an enviable popularity rivaling many Rock bands. The album charted at #57 in the US.ДЇollowing the haunting beauty of Snowflakes Are Dancing, Tomita released Pictures At An Exhibition (1975) exploring largely the music of Mussorgsky, Firebird (1976) which recreates StravinskyвЂ™s Firebird Suite primarily, The Planets (1976) that explores magnificently the re-imagined Gustav Holst classic, The Planets Suite. Issued after a little known start in pop music with electronic reproductions of popular songs (like вЂњHey JudeвЂќ, вЂњJumping Jack FlashвЂќ, вЂњBridge Over Troubled WatersвЂќ, вЂњImagineвЂќ and вЂњJailhouse RockвЂќ), Tomita jumped into the charts with his innovative electronic classic crossover. The album bearing his name was Snowflakes Are Dancing. The album was a completely innovative and adventurous foray into the magical world of DebussyвЂ™s pieces using new electronics to create the sounds. In 1974, years after a well-received career in music in Japan, Isao Tomita released a bold re-imagining of Claude DebussyвЂ™s famed compositions termed вЂњtone paintingsвЂќ by Tomita.

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